Tuesday, August 4, 2009

Its not a guilty pleasure if you don't feel guilty

So Ive widely admitted to be a music nerd. And not just "I like going to concerts" or "I have a bunch of random stuff on my Ipod", but more like, I obsess over random bridges or a 2 second snippet of melody that a lead singer did on CD but unfortunately will not do live. Genre, era, style, doesn't really matter. I've had conversations with people Ive just met, and they mention a favorite band, and I'll excitedly breakdown my favorite part of a certain song and they in turn give me a look like I'm a crazy cat lady showing pictures of the sweaters I knitted for Mittens and Fluffkins.

But its pretty ridiculous. Im not so much an elistist that I need to know and like bands people have never heard of. On the contrary, that gets obnoxious at times cause you want people to be familiar with your musical groups of choice, or at least I do, so you can discuss them or appreciate certain songs. For example, the emo/pop-punk/punk scene I was in in HS and college immediately turned on bands whenever they had success. It was just sooooo much cooler in their eyes to like bands that nobody had ever heard of. Don't get me wrong, its awesome to see bands in intimate venues, be ahead of the curve, etc... But I am not going to bash a band just because they got radio play or because people outside of this special bubble have heard their music now. Sure I get bummed when I have to see a band I love in an arena as opposed to the smaller club Im used to seeing them in, but I don't begrudge their success. Hell, I am happy for them. They busted their asses to get there, so I am not going to dislike them unless they give me a reason to (aka putting out recent awful music, Im looking at you No Doubt.)

I guess in this roundabout way, I was trying to make the point that 1) I have a semi-serious music obsession and 2) I am perfectly cool with popular or...*gasp* pop music. I began thinking about this as I was having a legit debate/discussion with a friend about female pop vocalists. Like hardcore breaking down songs and melody lines and how they picked songs/handled certain genres. Now outwardly, this may appear odd or to some of the aforementioned hipsters, abhorrent, but fuck it. I like female vocals alot actually. Its a fantastic change of pace from most of the vocals I listen to and usually add a certain elegant element. For example, when I first found Paramore my sophmore year of college, I was immediately hooked, mostly by the outrageously awesome female vocal element. Anyways, I got to thinking about female pop. Its a genre that I definitely appreciate, but it specific doses. I think its a matter of really really liking what I do like because its littered with so much garbage. Maybe its because my Mom loves Whitney Houston (hell so does my Dad) and that was always playing when I was growing up, i dont know where the affinity came from. And I love creating lists. So without further ado, my top 5 favorite female pop songs of the last 3-5 years (in no particular order)

Kelly Clarkson-Behind These Hazel Eyes: My sister bought Breakaway and I thus decided I would give it a spin cause I always was impressed by Kelly Clarkson vocally. Then I heard this song, and was like, holy shit. She just gets after it. It immediately supplanted Since You Been Gone as the best thing she had ever done. Towards the end, the last chorus, around 2:30 and onward, there are the INSANE vocal double tracks where she is just dominating these highnotes over top of the actual chorus. That to me is how you get it done as a producer.

Alicia Keys-No One: Alright, I really really like and respect Alicia Keys. I own Alicia Keys CDs and think she is an absurd talent and was just what that genre needed when Songs in A Minor came out. But I never really was all about any singular song till I heard this jam. After I heard it on whatever awful MTV awards show she debuted it at, I scoured the internet til I found the demo...and then I played it for a bunch of people. Those who didn't appreciate it drew my ire and when it blew up, I felt satisfied to be ahead of the curve. That run she makes down ward at the start of the second verse, just ridiculous.

Nelly Furtado-Maneater: Nelly Furtado was the first female "popstar" I ever really got into. I still listen to Whoa Nelly. On the Radio was my jam and if I lived in the 80s, I would have plastered posters of her all over my room cause I was, and still probably am, in love with her. Then even though her second cd was baller, she vanished from the collective popular line of sight. When Promiscuous came out, I was mildly amused, but I wasn't too into it. And then I found Maneater. I initially thought it was going to be a cover of this, which would have been amazing cause thats my absolute favorite song of the 80s, but thats another matter. Then I quickly heard it in ever bar I ever entered. And normally that makes me hate songs due to the Tim Tebow effect of overexposure. But oddly I didn't and I still get pumped to hear it. And Nelly Furtado is still a fox.

Lady Gaga-Paparazzi: Lady Gaga is beyond fascinating to me. When I heard Just Dance, I was like meh. But then when I heard Poker Face, I began to delve into this chica a bit more. She is so bizarre, but yet so musically talented. We've been over my respect of her musical abilities, but Ive begun to love the just absolute absurdity of her whole persona. Its become really cool to hate on her lately, but I think its just haters. I'm not old enough to have experienced his heyday, but I bet it was the same for David Bowie. Dude dressed and pretended to be a damn alien for an entire cd. He got insanely popular putting a fresh twist on a common genre and probably was mocked in the meantime. The chorus of this song is just haunting and etheral, and just so damn good. And this video, I mean, so fucked up, but captivating. And she reminds me of Alice in Wonderland, which is never a bad thing. That movie rules. Its gotten to the point where I watch anything Lady Gaga on TV. I'm not sure why but damn, its intriguing. She wins.

Leona Lewis-Better in Time: I put this one last, cause though I have no real ranking, this is just so epically good, that I think it rises like cream. I heard Bleeding Love and thought it was catchy as hell, and I was like who is this Leona Lewis character. So I went to YouTube and found this masterpiece. I mentioned the Whitney Houston thing before, so I was like, this dime has RIDICULOUS pipes and anyone can appreciate that. So I downloaded Spirit, and I'll be damned if I don't listen to that with regularity. And this song? Just awesome, I don't know why, but its fricken sweet. Its just really damn good. Simple but effective lyrically, excellent and understated backing track, all around solid.

So yeah, I'm sure some would scoff at my honest admittance of such "guilty pleasures", but I frankly don't give a damn. My favorite quote from Almost Famous is what I always use when people bash pop music because its on the radio or whatever. Especially all the douche hipsters like my old roommate, I keep alluding to (damn, I was around them too much):

I've studied the entire history of music. Most of the time, the best stuff is the popular stuff. It's much safer to say popularity sucks, because that allows you to forgive yourself if you suck. And I don't forgive myself. Do you?

I'm gonna go listen to Halo now cause I have no shame, do you?

"Thought I couldn't live without you. It's gonna hurt when it heals too, It'll all get better in time"

JW

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